The ceramist and the cast craftsman are drawn on the right.
“陶家 (Touke)” points out those who make a teacup, a bowl, a plate, etc. from the ground.
It is said that it is also called “陶治 (Touya).”
Since the word “舜河濱” can be seen, it is connected with the historical fact indicated to that of Historical Memoirs of China “the china which Syun made from Kahin is not distorted”, and it seems that the wonderfulness of an arm is written.
It seems that he is probably a cast craftsman since “冶 (Ya)” is also called “鋳匠 (Chyusyou)” and “爐匠 (Rosyou).”
It is said that it originates in “Tang (Indian millet)” by those who make a pan, an iron pot, a hibachi, and other metal fittings.
The demon and the hermit are drawn on the left.
It is said that meat and a bone will return the thing of a “demon” to the ground if people die from the text in “demon, blood returns to water, and a soul is “the thing which took shape by using gloomy” as a core” which returned and remained in heavens.
Since it flies and “sky is moved to a mountain from a mountain in the text, the thing of “仙 (Sen)” is called hermit.
More hermits are in Tang. It seems that it has started as “.
With a picture, the demon in whom the angle grew is drawn and it can be said that it is close to the present demon’s image, the nail of the fingertip being sharp or being a mouth like a beast.
Hermits look like an image like China is strong and the cool man instead of the old man filled with advanced age on a dignity.
右には陶芸家と鋳物職人が描かれています。「陶家（とうけ）」とは、土で茶碗や鉢や皿などを作る人を指します。「陶治（とうや）」とも呼ばれるそうです。「舜河濱」という言葉が見えますので、中国の史記のに記載されている「舜が河濱で作った陶器は歪まない」という故事にちなんで、腕の素晴らしさを書いていると思われます。「冶（や）」は「鋳匠（ちゅうしょう）」や「爐匠（ろしょう）」とも言われるので、恐らく鋳物の職人だと思われます。鍋や釜や火鉢やその他の金具を作る人で、「唐（もろこし）」に由来するそうです。
左には鬼と仙が描かれています。「鬼（き）」のことを本文では、「鬼とは、人死して肉骨が土に還り、血は水に還り、魂は天に還り、残った「陰気（いんき）」を核として形をなしたもの」だそうです。「仙（せん）」んことを本文では「空を飛んで山から山へと移動するので、仙人という。唐にはより多くの仙人がいる。」とかかれているようです。絵では角の生えた鬼が描かれていて、指先の爪が尖っていたり、獣のような口だったりと、現在の鬼のイメージに近いと言えます。仙人の方は中国のようなイメージが強く、高齢で威厳に満ちた老人ではなく、涼やかな男性のように見えます。
